JAMBARK 2025 is an online summit of writers presenting topics to help writers. It is organized by the fine folks at What’s Your Story Author Services.
We will be presenting about things like worldbuilding, how to write a book if you have no time to write a book, social media for authors, and much much more!
My topic is: “Turning Personal Experiences into Fiction”. I’ll be presenting on Sunday the 26th of January 2025.
Our participants:
The Eventbrite link to sign up:
And now I’m trying something new: working backwards from the desired ending of Volume 3 to cross that vast zone of ??? to get to the end of Volume 1!
This was inspired by a Threads post on writing by Charlène A Bagcal:
The Bunnies decide to let a few carefully-selected Humans visit their home.
This is a segment that may or may not make it into the final version of “The Rabbit Trap”. It’s really part of the backstory, explaining how the conditions arose that let Red and his family live in Algonquin Main.
It was happening! Diane was excited. Caramel had bounced up to her during the weekly closed-doors Rabbit Meeting and announced the news. She, Diane, had been selected to visit the rabbit city of Algonquin Main!
It wasn’t going to be a long visit. Caramel had said that the warrens were thinking of expanding their contacts with human society — carefully-selected parts of human society, anyway — and this visit was a trial run.
Continue readingI’m working on some things for The Rabbit Trap suggested by Akosua. One of them is rewriting a tentative first scene to be from the viewpoint of character Darlene rather than character Red. This turns out to be surprisingly tricky, given that the main actions in the scene are performed by Red. This is something I have tried for the first time.
Another request is rewriting the story outline to follow the internal emotional events of my protagonist rather than the external events. Again: tricky, and new to me. But it makes sense given that everything my protagonist (or any other character) does has to make sense to them at the moment. It has to be the option that appears to move them toward what they want with the least effort. Appears to them, that is. To the rest of us, it could appear completely crazy.
So I will have to dive into the emotional arc behind my character…
In other news, Happy New Year! I made a commemorative drawing for the New Year with many of my characters!
I am now partway into the Fifty Thousand Words in Fifty Days challenge, and have just passed a pause day. I have written over seven thousand words!
Glossy on the front, matte on the back. They look good!
I ordered from Vistaprint to see what their quality was like, and requested expedited shipping, so that I can have them when I go to the Toronto Outdoor Art Fair on Sunday!
So there I was. I had just wandered into a convenience store while wearing my new shirt that I had made with the logo of The Rabbit Trap. The cashier was asking me about it, what did it mean, and I was describing the book. He asked, did I have any info on it that he could give out, and I had to admit I did not yet. Creating something to give away was literally the next major thing I was doing.
To that end, I have now created and ordered bookmarks for The Rabbit Trap. Hopefully they will be here this week.
The book trailer for The Rabbit Trap went through a lot of evolution.
It’s technically an ‘animatic’, a kind of draft animation that can be quickly produced and adjusted as ideas change. A fully-animated work would follow on from it.
I started out by drawing a few rough sketches on paper and putting them in order.
Then I decided to try Boords, the online storyboarding service.
Continue readingNow that the first book trailer is done, I am moving on to the Fifty Thousand Words in Fifty Days dare. One of the members of Akosua’s Write-Now Club (of which I am a part) has provided a convenient online spreadsheet we can use to track how many words we write.
And I think that the first little thing I will write is a script for the second book trailer, in which I hope to get someone else to do better drawings…
With the help of friends, I finished it! I am very thankful for Akosua Brown, who provided inspiration and support, and to Dave Ranson and Sandy Kay, who provided voices (even if just one word!).