I’m working on some things for The Rabbit Trap suggested by Akosua. One of them is rewriting a tentative first scene to be from the viewpoint of character Darlene rather than character Red. This turns out to be surprisingly tricky, given that the main actions in the scene are performed by Red. This is something I have tried for the first time.

Another request is rewriting the story outline to follow the internal emotional events of my protagonist rather than the external events. Again: tricky, and new to me. But it makes sense given that everything my protagonist (or any other character) does has to make sense to them at the moment. It has to be the option that appears to move them toward what they want with the least effort. Appears to them, that is. To the rest of us, it could appear completely crazy.

So I will have to dive into the emotional arc behind my character…

In other news, Happy New Year! I made a commemorative drawing for the New Year with many of my characters!