Yes, today a passing remark from a co-worker crystallized a lot of stuff in my head, and now I have titles and ideas for the first two sequels to The Lonely Little Fridge!
I give you…
The Lonely Little Fridge: Spin Cycle
Little Fridge is settling into his new home, in the apartment with the guys. He starts to connect to the community of appliances and other devices in the apartment. But one day he is covered in damp clothes! The apartment is crowded with hanging damp clothes placed everywhere! It seems the apartment clothes washer and dryer has broken down.
Little Fridge sees the repair tech arrive. He’s afraid. Will the washer/dryer be thrown away like he was? And then the tech opens up the washer/dryer! What is this frightening event?
But then suddenly the washer/dryer is put back together, and starts operating normally. The guys rejoice and start gathering up the clothes to re-wash and finally dry them. Little Fridge can feel the joy of the washer/dryer, knowing it has been cared for and saved.
The Lonely Little Fridge: Spin Cycle will be followed by The Lonely Little Fridge: Rest Easy.
This story will be about the guys rescuing an abandoned chair. It’s inspired by the picture nearby, which was forwarded to me by another co-worker with the words, “This reminded me of you.”
And now for something completely different: the figure drawing and background artwork of Pegah Arabi. It’s done in a painterly style. Some of the portraits are in black and white. Look at the proportions and light and shadow! I have a lot to learn about drawing necks…
Another of the stunning artists from Linked!n. Her work is also magical rooftops and cityscapes, but it’s completely different in feel than Camila Nogueira’s. The colour palettes are different, the style is less rigorously technical, and it feels friendly and small-scale, showing quiet moments in peoples’ lives.
Camila Nogueira is a Portuguese illustrator, one of the artists I found on LinkedIn. Some of Camila’s works show the rooftops and alleys of fantastic cities, but others show fantasy landscapes and floating buildings. The style is a fusion of technical illustration and magical realism. And the colours are stunning. And apparently some of the artworks are of real places…?
One such project was a series of cookbooks of art and writing tutorials by the Etherington Brothers out of England. Lorenzo Etherington handles the drawing; Robin Etherington handles the writing.
Lorenzo has a very intriguing, very traditional style of drawing. It’s very 1940’s dieselpunk, all big internal-combustion engines strapped to race cars. It reminds me of the old CARtoons magazine I used to read when I was a kid, or the original Mad Magazine, or even some of Will Eisner’s work (for examples, see Eisner’s Comics and Sequential Art).
It is very good to be able to look out into the world and see yourself reflected back.
As a writer and cartoonist, I want to be able to portray and ultimately connect with all sorts of people. I have been noticing that all my people drawings tend to look like Generic White People, just as my trees tend to look like Generic Maple Trees. I have to remember to explicitly make things look different, to match the variety of people (and trees) I actually see on the street. But how to do that?
A week or so ago, I stumbled across a very interesting Kickstarter.
Malaak is a series of comic books by French-Lebanese artist Joumana Medlej. It describes a Lebanon invaded by demonic spirits of war, and what the ancient guardians of the land must do to defend it.
In 2011 I was looking for drawing tutorials, and I stumbled across this incredibly-detailed chart of how to draw cats. Every type and variation of cat appearance was laid out in almost mathematical precision. Who could have done this?