This website is all about the books and book-related projects I am working on.
The big news is, the compilation I’ve been working on is ready! The compilation, Nineteen Tales of COVID-19, has been organized and edited by Jackie Brown of Jackie Brown Books. The contributors have all lived in or otherwise been associated with Durham Region, east of Toronto. Many have been members of the Writers’ Community of Durham Region.
So, I’ve written a book! Anyone want to translate it?
“The Lonely Little Fridge” is a children’s story, based on an idea I had in a children’s-lit class at Durham.
A few editorial adjustments remain, and it will be ready! I will be setting it up to be distributed as hardcover, paperback, and ebook through one of the online publishing platforms, as well as getting a few copies printed locally.
But I very much want it to be translated. I’m working on the Esperanto translation, with other languages to follow. I would love to see it translated into Indigenous languages, but I’m honestly not sure whether it would make sense in an Indigenous context. The most I can do is offer it.
Is there anyone out there who would be interested in translating it into French? The total text is around 1 page, spread out among the pictures.
It turns out that Facebook does not allow external plugins to display posts from a personal Facebook tiimeline. Only posts from a Facebook page or group can be selected and displayed remotely. This is apparently for privacy reasons.
So I may have to make a proper SRD Books Facebook page, and post art things to that. Since many of these would be various stages of artwork and book preparation, that makes sense. But general sketchbook posts like I’ve been doing lately? I’ll have to think about it. Maybe I can sort and redisplay them on my personal page and then link to that.
A proper FB, Twitter, Instagram, Pinterest, etc page for SRD Books is something that Orzala would probably recommend anyways…
So we were talking at the writers’ group today, and the subject of NaNoWriMo came up. NaNoWriMo is National Novel-Writing Month, basically a dare to write 50 000 words in thirty days, the month of November.
One of the members had a spreadsheet of something similar, called “Fifty Thousand Words in Fifty Days”. This seems a little less intense, given that I’m doing other things as well, like art and work and finishing The Lonely Little Fridge.
I asked to use it, and got the okay. Here’s my version of the spreadsheet, as a Google Sheet handily embedded in this post (find out how):
It starts out quite small. Work was running fast today, but I had plenty of chances to think about things. I am going to work on “Red Rabbit! Red Rabbit!”, first finishing off some planning with Jackie, then onward.
First things: three endings and three beginnings to the story.
So what I want to do is put a hashtag or something in each on my Tiny Sketchbook posts on Facebook, and then gather them all up on a page here on my WordPress blog. However, using the WordPress embed for Facebook to access the first of my Facebook drawing posts… did not work.
Looking at the WordPress embeds documentation…
…tells me that Facebook has decided to ‘close the oEmbed end point for embedding Facebook links’.
Well, it turns out that you now need to provide a FaceBook Application ID and an authentication token to use the Facebook API to display posts in other locations. I think. Facebook does provide ways to embed posts:
Fortunately (?) I have a Facebook developer account, from when I was taking web development at Durham. I went back in and discovered all the FaceBook apps I had written as assignments, forgotten, but still there after all this time. I archived them, and am now trying to refamiliarize myself with the whole thing.
One such project was a series of cookbooks of art and writing tutorials by the Etherington Brothers out of England. Lorenzo Etherington handles the drawing; Robin Etherington handles the writing.
Lorenzo has a very intriguing, very traditional style of drawing. It’s very 1940’s dieselpunk, all big internal-combustion engines strapped to race cars. It reminds me of the old CARtoons magazine I used to read when I was a kid, or the original Mad Magazine, or even some of Will Eisner’s work (for examples, see Eisner’s Comics and Sequential Art).
It is very good to be able to look out into the world and see yourself reflected back.
As a writer and cartoonist, I want to be able to portray and ultimately connect with all sorts of people. I have been noticing that all my people drawings tend to look like Generic White People, just as my trees tend to look like Generic Maple Trees. I have to remember to explicitly make things look different, to match the variety of people (and trees) I actually see on the street. But how to do that?
A week or so ago, I stumbled across a very interesting Kickstarter.
Malaak is a series of comic books by French-Lebanese artist Joumana Medlej. It describes a Lebanon invaded by demonic spirits of war, and what the ancient guardians of the land must do to defend it.
In 2011 I was looking for drawing tutorials, and I stumbled across this incredibly-detailed chart of how to draw cats. Every type and variation of cat appearance was laid out in almost mathematical precision. Who could have done this?