A Tiny Computer!

My friend gave me a Tiny Computer. Yes, that’s the whole computer in the first picture (it’s upside-down). It is running Ubuntu Studio, which includes audio, video, graphics, and publishing software. There is a very good chance this could replace my Adobe suite. I will have to experiment. The video is me scanning a drawing into The GIMP, a raster image editor.

The Tiny Computer!

And this post is being made from Linux! Getting images out of my Mac onto Linux required some setup… accessing my Dropbox account from both machines turned out to be easiest. (I kept wanting to cut and paste…)

This Linux distribution is Ubuntu Studio. It includes The Gimp (like Photoshop), Inkscape (like Illustrator), Blender (a 3-D animation app, like the control panel of a 747), Scribus (maybe like InDesign, but we’ll see), Calibre (for ebooks, but annoying because it wants to manage your files), and lots more. There are audio and video editing apps; I’ll have to see what corresponds to After Effects for editing limited animation. Alas, Scrivener is not available on Linux. If I can make and publish a book on this platform…

The trickiest part so far was configuring my scanner. The Epson scanner requires a driver, which Epson provides, but that driver requires further software. I had to go into the command line to install it (fortunately this is the kind of thing I used to do at my old job). And I had the help of my friend Mike, who is a born troubleshooter.

Another writing challenge!

So now the Write Now Club is starting another challenge! This time, it’s Sixty Thousand Words* in Sixty Days!

But I put an asterisk beside the word “word”… because it’s not just words this time. There are many tasks involved in creating a book beyond just putting words down. What about doing research? Marketing? Illustration? One of our members is an incredibly-talented cartoonist. His stuff just doesn’t have many words. Should he be penalized even though he is doing as much work?

So another member came up with a list of tasks and word equivalents. You can get points for how much time you spend on a task, instead of for how many words you create during that time. Of course, if you’re mostly creating words, that is fine too.

This is great, because I’m doing a lot of illustration and drawing research in support of my story. It helps me figure things out.

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Diane Visits Algonquin Main

The Bunnies decide to let a few carefully-selected Humans visit their home.

This is a segment that may or may not make it into the final version of “The Rabbit Trap”. It’s really part of the backstory, explaining how the conditions arose that let Red and his family live in Algonquin Main.


It was happening! Diane was excited. Caramel had bounced up to her during the weekly closed-doors Rabbit Meeting and announced the news. She, Diane, had been selected to visit the rabbit city of Algonquin Main!

It wasn’t going to be a long visit. Caramel had said that the warrens were thinking of expanding their contacts with human society — carefully-selected parts of human society, anyway — and this visit was a trial run.

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Holidays. And Writing…

I’m working on some things for The Rabbit Trap suggested by Akosua. One of them is rewriting a tentative first scene to be from the viewpoint of character Darlene rather than character Red. This turns out to be surprisingly tricky, given that the main actions in the scene are performed by Red. This is something I have tried for the first time.

Another request is rewriting the story outline to follow the internal emotional events of my protagonist rather than the external events. Again: tricky, and new to me. But it makes sense given that everything my protagonist (or any other character) does has to make sense to them at the moment. It has to be the option that appears to move them toward what they want with the least effort. Appears to them, that is. To the rest of us, it could appear completely crazy.

So I will have to dive into the emotional arc behind my character…

In other news, Happy New Year! I made a commemorative drawing for the New Year with many of my characters!

“The Ornament” sees the light of day…

A couple of years ago, I drew a short story called “The Ornament”, to be included in a wintry holiday compilation. That compilation did not appear then, but it has just been published now!

The compilation is called “Snowflakes, Secrets, and Other Winter Reflections”.

It is available now from Kipekee Press as an ebook. Print books coming soon.

But that’s not all! There’s an advent calendar: https://hi.switchy.io/WinterTales2024

…and a contest!
https://kingsumo.com/g/1ggoez1/winter-tale-advent-calendar-and-book-launch

Versions of the First Book Trailer

The book trailer for The Rabbit Trap went through a lot of evolution.

It’s technically an ‘animatic’, a kind of draft animation that can be quickly produced and adjusted as ideas change. A fully-animated work would follow on from it.

I started out by drawing a few rough sketches on paper and putting them in order.

Then I decided to try Boords, the online storyboarding service.

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A book trailer, shirts, and Fifty Thousand Words

I have been working on an animatic, a kind of limited animation, to make a book trailer to promote The Rabbit Trap. I hope to have it done in a few weeks.

To express my gratitude for the help I have gotten with it, I have ordered shirts! They will include the new logo I have developed for the story.

As far as the story itself is concerned, Akosua and the Write-Now Club are proposing another writing challenge: another Fifty Thousand Words in Fifty Days challenge! This will take us to the end of summer, conveniently when I had planned to have a first draft done. I’ve pulled out Scrivener and started organizing things already.

Toki Pona translation off to be checked!

A page from the Toki Pona translation.

I just sent the interior of the Toki Pona translation, complete with text and pictures, off to the translator to be checked!

Once that it okayed, I will assemble the book files, create the ebook, and make them ready for uploading to IngramSpark! Then we only await the printer’s e-proof.

I Love Filth & Grammar!!!

Today, it came. Well, the first part, anyways.

Let me back up a bit. Last July (2021), I backed a Kickstarter by Shelly Bond called Filth & Grammar: The Comic Book Editor’s Secret Handbook.

https://www.kickstarter.com/projects/sxbond/filth-and-grammar

Today I got an update. The books have been printed, but have not been shipped yet. In the meantime, the promised digital copy was made available (early!) to backers.

I was flipping through it on my phone at lunch at work. And even in those few minutes, I found three things that help with my children’s book projects, as well as with characters I am developing for other projects!

Now I am going through it and realizing there is so much more to learn… and my next projects will benefit enormously from the organization of the production process that this book teaches.

This book will have pride of place on my comics-creation shelf next to works like Kevin Tinsley’s “Digital Prepress for Comic Books”, Scott McCloud’s “Understanding Comics” series, the Etherington brothers’ “How to Think When You Draw” series, and Duc’s “L’Art de la BD”… not to mention all the books about actual drawing and writing.

I am so excited by this!

Filth & Grammar is by Shelly Bond
with Imogen Mangle, Laura Hole & Sofie Dodgson
edited by William Potter & Heather Goldberg
proofread by Arlene Lo
cover by Philip Bond

Off Register Press, Los Angeles, 2022

ISBN 979-8-9855622-0-0 (hardcover)
ISBN 979-8-9855622-1-7 (softcover)

Storyboarding a Dream (Sequence)

A couple of nights ago, I had a short dream in the drawing style of Camila Nogueira. After I woke up, I quickly drew a rough sketch storyboard in the Tiny Sketchbook I take everywhere with me, enough for me to remember it.

I think I’m going to do a proper storyboard and then do my first rough-draft animation, or “animatic“. It’s only a very short sequence, 15 seconds or so. I am thinking that it will be a kind of “Hello World” work as I step into the world of the animatic.

In the world of computer programming, a “Hello World” program is traditionally the first simple program you write when you are learning a new programming language, environment, or toolset. All it does is print or display the words “Hello World”. Sounds simple, yes? Perhaps. But it is a critical step for the programmer, because it shows that they have figured out how to operate the tools required to create the program, which may be a completely new set of equipment or commands… or familiar ones used in new ways.

So this is my Hello World animatic. I haven’t actually made one before, and I have to figure out how to do it. Scan in externally-drawn images? Draw them on the computer? And how do I put them together with the right timing, and add sounds? Photoshop? AfterEffects? Clip Studio Paint? Audacity? Something else? And where do I get the sounds?

I’ve been wanting to do this since I was in animation school all those years ago…