Useful books and Other Resources

Various writing, story design, comics, art, and animation books. The beginnings of a list…

The Understanding Comics series by Scott McCloud:
Understanding Comics
Making Comics
Reinventing Comics
A pioneering exploration of what makes comics tick.

Drawing People by Joumana Medlej
A book remarkable for its examination of different skin colours and body forms of people from around the world. Look in Joumana’s shop for the ebook.

Digital Prepress for Comic Books by Kevin Tinsley.
Goes into the details of preparing comics for print.

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When Can I Use Real Names and Products?

In the Devilbunnies universe, writers used the names of existing concepts, characters, products and companies. Some of them were associated with the Bunnies or their enemies:

For the Bunnies

For the Bunnies’ Opponents

  • Elmer Fudd (from Warner Brothers; lent his name to the anti-Bunny forces);
  • Moxie, Irn Bru, D&B (“uncute” drinks);
  • Vanilla extract (the Bunnies were actually supposed to be allergic or even burned by it);

In some cases the group authors took the name and ran with it.

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How I Colour a Comic in Photoshop

This is how I build a colour comic in Photoshop.

Scan the original drawing.

I start by scanning a black-and-white drawing.

The drawing should be drawn with colouring in mind. Large dark areas are generally added during the colouring, so they should not be done as part of the black-and-white drawing.

The colouring style I describe here relies on using the ‘bucket’ tool to fill large areas; they can also be filled using brushes.

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Drawing Test

This is a test of a slightly-different drawing technique.

Usually, I sketch in pencil, draw over it in black marker or ink, then scan that and clean it up in Photoshop. Afterwards, I add colour in Photoshop. This is how I did the rabbit background picture, and the four-page intro to Scaffoldworld.

It’s also a good way to make even quite a rough sketch presentable (this Toasterman sketch, for example).

Drawing of Toasterman trying to escape an underwater menace.

However, for Little Lost Part, I want to do something different.

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Jacket text for “Red Rabbit! Red Rabbit!”

I am working through a series of exercises with Jackie on planning Red Rabbit! Red Rabbit!. Step 4 involves writing ‘jacket text’ for the story. This is the text that might appear on the back of the book, or on the front flap of a dust jacket. It’s a kind of marketing text intended to draw the readers interest.

So for, I’ve come up with this:

A hidden society of supremacists is trying to take over the world. They are outnumbered by the rest of us, yet they believe that their strength, intelligence, weaponry, and general cuteness give them the right to rule us all.  Yes, cuteness… for these supremacists are rabbits.

Years ago, Tom Johnson and his parents had fled the rabbits’ captivity to build a new life on the outside. Tom’s father had gone back in later to rescue other humans from the rabbits’ totalitarian nightmare… and never returned.

Now, Tom was in high school. But his earliest memories were of the safe predictable environment that the rabbits provided for their human guests. He remembered the rabbits’ soft fur and cute little voices, and their warmth and love… and he looked around at the harsh world of high school, the bullying and endless struggle, and he knew he had to leave.